| |
|
These archive pages
are the
beginnings of a permanent record of the Hawai'i Photo
Expo. We have information about our jurors for the
last four years and the listings of accepted entries
from 2008 and 2009. There is a complete listing of winners from
the beginning of the Expo, and their images from 2008
and 2009.
With the digital submission and
selection that we are implementing this year, it will
now be possible to maintain a virtual gallery of Expo
2010 long after the images are take from the walls.
So watch this space!
Click on any of the links on the right for more of our
archives. |
JURORS
2009 - Ted Orland
2008 - Robbert Flick
2007 - Doug Beasley
2006 - David Yamamoto
WINNERS
2009
2008
2000 - 2007
ACCEPTED
2009
2008
|
| 2009 HAWAI'I PHOTO EXPO WINNERS
Masters
(Click on a thumbnail image to open a
larger image in a new window.)
|
|
|
FIRST PLACE
SEA PEACE
Ken Goodrich
Ken’s passion for photography was ignited many years
ago when he began documenting the vanishing culture of the Otomi
Indians of Tlacotlapilco Mexico. This spark was quickly kindled and
expanded to include explorations of fine art photography. In his
quest for self-expression, he embraced special effects films and
processes, image compositing, and macro photography.
For much of his photographic career, he has focused on visual design
for multi-image events (projected imagery with music). He continues
this journey today using the tools of digital photography and
editing.
In
2007, Ken and his wife Mary founded their company, Hawaii Photo
Retreat, providing photographic workshops and tours on the Big
Island. They are based in Volcano Village.
|
|
 |
SECOND
PLACE Floral Fantasy
Bill Irwin
Photography is such a wonderful media, there seems to
be a niche for every interest. I'm still mostly interested in
documenting man's activities, especially when it comes to the more
fun and bizarre human activities. Of course when I go out into
nature I want to capture all that glory also. After a while one
accumulates a body of work, a combination of one's interests and a
record of what one sees and places traveled too - a regular diary of
one's life. Our times are a wonderful time to be practicing
photography, new technology is enabling new ways to capture images
and has brought millions into the realm of photography. New
pathways of communication have made photographs even more central to
the way we communicate and to the ease we can place our images in
front of the public eye. Developments in software has made for new
ways to visualize the world and to transform that vision. My
photograph "Floral Fantasy" is an example of new software
technology that is enabling photographers to reveal in an enhanced
way the beauty and intricate nature of our world. This photo is an
example of High Dynamic Range photography.
|
|
|
THIRD PLACE
Pu'ukohola Morning
Tom Whitney
Tom Whitney is a
Hilo photographer and writer happily married to his sweetheart
Betsy. In photography he has concentrated on the Hawaiian and Native
American cultures. He created the “Mauna Kea – The Temple” museum
exhibition that will be at the Pahoa Museum in Pahoa from June 6
through August 8. He has created the posters for the Inter Tribal
Powwows held in Wailoa River State Park every May by the Federation
of American Natives. As a writer he was editor of a Hawaiian culture
curriculum for domestic violence offenders and is currently writing
a case study of the successful diabetes self-management program at
the Bay Clinic in Hilo. |
|
Enthusiast |
|
 |
FIRST PLACE
SMURF BERRY BLUE
Joe Laceby
Born in the shadow of Tulsa OK, 1970. Farm boy by
nature but grew up the king of dirt ball wars. My interest in art
began early, very early. My father was the developer for the Tulsa
police crime lab and I spent many a summers hiding out in that lab.
I was given a tall stool to watch all of the processes but I was
told to close my eyes when some of the final crime scene prints were
washing...( I peeked). I remember the fascination that 7 year old
had in a place that few children were allowed. My father's darkroom
fascinated me, not only in a visual sense; but it also imbedded
within me a memory of the non-visual stimulants associated
with a darkroom. The feeling of trusting darkness, the coolness of
the constantly flowing water, and the smells that would creep around
from the different chemicals. Many years later in a college
photography class, this imbedded memory was awakened. It allowed me
to bring back to the medium the playfulness of a child's vision from
which it was personally discovered. It's from this that my prints
say what they need to say without the complexities of the critically
educated adult eye. The cyanotype process allows this to happen in
the very nature of the final print. But like anyone true to their
vision, the physical deconstruction and reorganization of the
print is where the excitement lies for me. I'll never claim to be a
purist, only an artist... A maker of things..
|
|
 |
SECOND
PLACE MAORI WRASSE
Molly Timmers
The intricate and intriguing
patterns, textures, and contrasts of ocean life bewitched me to
macro underwater photography. I have been working as a marine
biologist for over 8 years in Hawaii. Monitoring and assessing coral
reefs throughout the Pacific has enabled me to examine and witness
adaptive patterns and textures on critters that tend to be
overlooked by most divers. I like shooting abstract patterns in
nature and I prefer shooting in black and white because color tends
to take the eye away from the complexity of the design. |
|
 |
THIRD PLACE
ORNATA
Doug Toomey
Doug Toomey moved to Hawaii in 1980 having grown up
in the Boston area. He is a 1977 Graduate of Northeastern
University with a degree in Electrical Engineering and worked
building infrared cameras for the University of Hawaii for 25
years. He now owns Mauna Kea Infrared, LLC a Hilo based company
that builds elector-optical equipment mostly for use in infrared
astronomy on large telescopes. He started talking art photographs
of natural objects in February 2008. He lives in Hakalau with wife
Dao and five year old Mitra. Primary equipment includes Canon 5d (i
and ii), 100mm f/2.8 macro and 300mm f/2.8.
|
|
Honorable Mentions |
|
 |
TREES AND POND II
Kathleen Carr
Kathleen T.
Carr, is a professional and fine art photographer, teacher, author,
and a former Creative Uses Consultant for Polaroid. She holds a BFA
in Photography from Ohio University, and studied extensively with
Minor White before working for Aperture Magazine. Her work has been
exhibited widely and has appeared in numerous books and
periodicals, including her books, Polaroid Transfers: A Complete
Visual Guide for Creating Image and Emulsion Transfers, Polaroid
Manipulations: A Complete Visual Guide to Creating SX-70, Transfer,
and Digital Prints (Amphoto Books), and To Honor the Earth:
Reflections on Living in Harmony with Nature (HarperSanFrancisco).
Her current passions are black and white infrared photography and
filming wild dolphins. She resides on the Big Island of Hawaii.
|
|
 |
MONKEYPOD,
PAHALA
Mary Goodrich
The photographs
of Mary Goodrich are primarily landscapes and botanicals. She
records her views through eyes that constantly seek uniqueness in
nature. In her work, there is awareness of the constant flow and
change of light, texture and form in our island environment.
“I try not to
attach a name to whatever I am photographing, but to be an observer
of various elements as they become clear to me. Too strange? Okay,
I just look at stuff and take the picture when it feels right”.
Mary Goodrich is
a self-taught photographic artist living in Volcano with her
husband, Ken. Together they created their business, Hawaii Photo
Retreat which focuses on photo tours and workshops. Mary has won
many awards for her work in Hawaii and on the mainland. She is the
current Secretary for the Hilo Photography Club.
|
|
 |
DA KINE BY
BLACK SAND
Jayne Pinc
Aloha!
Originally a country gal from mid-Ohio, I have lived also in
Seattle, Arizona, and wilderness areas of Alaska. I am now living a
lifetime dream in the Hawaiian Islands (for over 20 years). The
beauty of this island forms the backdrop of my landscape photos and
I have a special affinity for trees, forests & flora, and the
enigmatic nostalgia of the older buildings found here. After many
years enjoying photography, I now tend to view the world as
compositions seen thru a finder and enjoy both the immediacy of the
snapshot and, by printing, the permanency of the final art form.
|
|
 |
ELIXIR OF LIFE
Hansen Tsang
I started
photography when my father gave me a Rolleicord twin lens reflex
camera when I was between 6 to 8 years old. I have never stopped. I
have slowed down occasionally during different times of my life but
at no point in my life I was without a camera.
After I
built the South Point wind farm on the big island in the beginning of 2007 I was
stressed out and needed something to bring my sanity back. I built a photo
studio and started indulging myself in portraiture, my last genre in
photography. Right now I engage in all aspects of photography from landscape to
underwater to macro to friend’s wedding to special events to portraiture and
aerial photography. I hope to eventually fade off into the sunset taking
pictures.
|
|
Student |
|
 |
FIRST PLACE IT'S A STRETCH
Brandon Lorusso My
name is Brandon Lorusso a freshman at Laupahoehoe School and a Civil Air Patrol
cadet at Lyman Field Composite Squadron. My teacher, Dr. Lasso, inspired me to
participate in the Photo Expo this year. Dr. Lasco helped me choose my picture,
with only a week to enter. I decided on the "Anticipation" picture and my
teacher convinced me to enter the photo "It's a Stretch". I thank him for
teaching me everything I know. He has been very supportive. I thank my mother
for being supportive. And also my father, who is the subject of both my photos.
|
|
 |
HONORABLE
MENTION VOLCANO MIST ADVENTURE
Megan Politano
My name is Megan Politano. I
am seventeen and just graduated from Connections Public Charter High School. I
always have my camera with me, so I am always taking pictures. I plan to
continue doing photography as a hobby. I look forward to my college years
at UHH studying psychology. My dogs Butch and Cassidy are my favorite
subject to photograph, I love them so much.
|
|
 |
HONORABLE
MENTION
BAYFRONT À LA DUOTONE
Kevin Kadooka
Photography in my youngest years merely involved the
practice of pointing the camera where I wanted and taking the
picture, regardless of trees and poles growing out of heads, or even
faces and limbs amputated entirely. This style persisted for the
greater part of my 16-year existence, but in recent years I've
developed a serious interest in photography. Despite having been
born in the digital age, I take pleasure in learning and practicing
traditional darkroom techniques using my father's film SLR, whose
age is at least twice my own. Conversely, I also use a DSLR as well
as Photoshop and Lightroom to create my images. Lately, my most
engaging projects have been a stop animation film and yearbook
portraiture for upcoming seniors at Hilo High School. In a few
months, I will be leaving the islands to attend the University of
Portland in order to pursue a career in engineering. Though I must
leave my family and peers to do so, my interest in photography will
certainly follow me.
|
|
People's Choice Award |
|
 |
HONU FIRE Michael Paravano
I love the medium of photography. It’s
been said that photography is the easiest artistic medium in which to
become competent but the most difficult to establish a personally
identifiable style. A painter or sculptor makes their vision into
something tangible. A photographer can only capture what is tangible and
somehow make it their vision. Giving an intangible soul to a photograph
is what separates Ansel Adams from the vacation snap shooter. This is my
ultimate aspiration.
My passion is to present a vision of
Hawaii as an unpopulated and unspoiled paradise. I have a special
affinity for the honu (Hawaiian sea turtle) and strive to show a unique
moment of emotion in each photo.
|
|